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MARUFA A. CHOWDHURY Ceramic Artist & Designer • www.marufachowdhury.com
24+ Years Ceramic Mastery Senior Designer @ Aarong Kala Bhavana, Santiniketan

Bridging Ancient Earth & Contemporary Form

Marufa A. Chowdhury is a distinguished ceramic artist, sculptor, and Senior Designer at Aarong with over two decades of studio practice. Nurtured at Kala Bhavana (Santiniketan) and mentored in traditional Blue Pottery in Jaipur, she elevates Bengal's rural clay heritage into monumental installations and timeless studio pottery.

1,200 sq.ft.
Landmark Installation
100+
Potter Families
24+
Years Practice
15+
Years Aarong Design
Marufa A. Chowdhury in her ceramic studio
Dhaka, Bangladesh

Marufa A. Chowdhury

Ceramic Artist, Sculptor & Senior Designer at Aarong Centre

Bengal Foundation Scholar
Santiniketan Fine Arts
Marufa Studio Work
Ceramic Pottery Studio
Santal Village Art
Clay Workshop and sculpting
The Journey & Philosophy

An Evolving Dialogue Between Heritage Clay and Contemporary Space

Marufa A. Chowdhury is a Bangladeshi ceramic artist and designer who has dedicated her career to preserving and evolving traditional craft practices within contemporary design. She currently works as a designer at Aarong, where she has contributed for over fifteen years, fostering sustainable, handcrafted design.

Marufa holds both a Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) from Kala Bhavana, Visva-Bharati University, Santiniketan, India. Supported by the Bengal Foundation scholarship, she explored ceramics and trained in traditional Rajasthani blue pottery under the mentorship of legendary master Sri Kripal Singh Shekhawat in Jaipur.

Her artistic journey spans two decades of residencies (including Andretta Pottery Studio in Himachal Pradesh), significant art camps, the Asian Art Biennial, the National Art Exhibition in Dhaka, and international showcases such as "Creative Density" by Imago Mundi and "Women in the Arts" supported by the Swiss Embassy.

Earth & Memory

Tactile forms inspired by Bengal rivers and rural folklore.

Artisan Community

Empowering 100+ traditional potters (pals) across Bangladesh.

Public & Retail Art

Democratizing fine art into accessible cultural environments.

Landmark Public Art Installation

SANTAL GAON / সাঁওতাল গাঁও

1,200 sq.ft. monumental terracotta installation at Aarong Dhanmondi Flagship Outlet, Dhaka — Celebrating indigenous Santal culture and Bengal's pottery traditions.

Santal Gaon Installation at Aarong Flagship Dhanmondi
Photography by Rakib Ahmed & Syed Aman

Santal Gaon — Orchestrated terracotta tiles, pitha molds, oil lamps, and nakshi kantha reliefs.

The Concept of Santal Gaon

"Earth, air, and water — these three elements make up our home. The Santals are an ancient people of the plains. A simple lifestyle in harmony with nature is the main inspiration behind 'Santal Gaon'. Nearly a hundred potter families (pals) from Dhaka, Patuakhali, Shariatpur, Savar, Dhamrai, Manikganj, Rangpur, Tangail, and Rajshahi handcrafted every single clay piece."

1
Nakshi Kantha Clay Tiles:

Timeless folk stories etched onto terracotta tiles forming a vast continuous backdrop.

2
Traditional Utensils & Molds:

Pitha molds, bharta bowls, oil lamps (pradip), pitchers, and water vessels.

3
Tepa Putul (Hand-pressed Clay Dolls):

Ancient 2,000-year-old tradition of pinch pottery dolls celebrating rural life.

Aarong Dhanmondi Flagship, Dhaka
Santal Gaon 01
Santal Gaon 02
Santal Gaon 03
Santal Gaon 04
Santal Gaon 05
Santal Gaon 06
Santal Gaon 08
Santal Gaon 11
Santal Gaon 14
Documentary & Studio Film

The Craft, The Fire & The Spirit

Watch Marufa A. Chowdhury's studio craftsmanship, philosophical reflections, and the creation of timeless ceramic art.

Marufa A. Chowdhury — Ceramic Masterclass & Studio Journey

Exclusive artist feature on terracotta craft, Aarong flagship installation, and studio practice.

#CeramicArt #SantalGaon #StudioPottery #Santiniketan #AarongDesign
Artworks & Collections

Curated Ceramic Portfolio

Explore terracotta relief panels, wheel-thrown studio pottery, sculptural vases, and artisanal ceramic works.

Technique & Alchemy

From Raw Mud to Vitreous Ceramic

Marufa A. Chowdhury's studio practice combines centuries-old clay methods with meticulous thermal knowledge. Her creations embody high-fire stoneware durability, delicate pinch modeling (Tepa Putul techniques), and Rajasthani quartz blue pottery luster.

Wheel-Thrown & Handbuilt

Balancing symmetrical centrifugal rhythm with organic sculptural slab construction.

Mineral & Ash Glazes

Natural wood ash, local alluvial iron silicates, and copper mineral oxides.

Blue Pottery Fusion

Techniques learned in Jaipur under master Sri Kripal Singh Shekhawat.

Site-Specific Murals

Custom architectural terracotta murals designed for institutions and homes.

Commission Bespoke Artwork
Studio Interior
Finished Ceramic Pieces
Ceramic Work in Progress
Ceramic Masterpiece
Scholarly Research & Publications

Preserving Bengal's Terracotta History

Authoritative research essays and journal contributions tracing 2,500 years of ceramic archaeology, indigenous utensils, and contemporary revival.

Research Essay Marufa A. Chowdhury

The History of Terracotta in Bangladesh

An extensive historical inquiry covering ancient archaeological sites (Wari-Bateshwar, Sompur Mahavihara at Paharpur, Shalbon Vihara), temple arts of Kantajee & Puthia, Sultanate floral geometry, and traditional Bengali earthen vessels:

🏺 Kolshi (Water Vessel) 🍚 Bhater Hari (Rice Pot) 🌾 Murir Patil (Puffed Rice) 🍯 Gurer Patil (Molasses Pot) 🐟 Shutkir Hari (Fermenting) 🌾 Matka (Crop Silo) 🎎 Tepa Putul (Clay Dolls) 🎨 Shokher Hari (Festive) 🌸 Lakshmi Sara (Ritual Plate)
Download PDF
Art Journal Edition 2025

Mrin (মৃণ) — 2025 Contributor

Feature in the prestigious ceramic and craft journal "Mrin 2025", illustrating contemporary pottery developments, material dialogues, and artistic monographs.

Journal PDF (9.6 MB)
Milestones & Exhibitions

Two Decades of Artistic Accomplishment

From Santiniketan studios to international biennales and nationwide public art commissions.

Landmark Commission

Santal Gaon (সাঁওতাল গাঁও) 1,200 sft Installation

Curated and installed a monumental site-specific terracotta narrative at Aarong Dhanmondi Flagship, integrating 100+ master potter families across 9 districts of Bangladesh.

15+ Years Active Practice

Senior Designer — Aarong Centre

Leading craft innovation, earthenware lines, home decor development, and empowering thousands of rural artisans under Bangladesh's premier social enterprise.

Exhibition Record

Asian Art Biennale & National Art Exhibition

Featured works at the Asian Art Biennale (Dhaka), National Art Exhibition (Bangladesh Shilpakala Academy), "Creative Density" by Imago Mundi, and "Women in the Arts" by the Swiss Embassy & DAWC.

Residencies & Camps

Andretta Pottery Studio & Bengal Art Camp

Residency at the historic Andretta Pottery Studio in Himachal Pradesh, Bengal Art Camp, and Nandanik Art Camp collaborations.

Master Apprenticeship (Jaipur)

Rajasthani Blue Pottery Mentorship under Sri Kripal Singh Shekhawat

Intensive training in traditional Rajasthani glazed quartz pottery under Padma Shri Kripal Singh Shekhawat in Jaipur, India.

Academic Foundation (9 Years)

BFA & MFA — Kala Bhavana, Visva-Bharati University, Santiniketan

Awarded Bengal Foundation Scholarship. 9-year immersive training in ceramics, sculpture, drawing, and Tagore's philosophy of nature-integrated education.

Inquiries & Commissions

Let's Create With Earth & Flame

Available for architectural terracotta commissions, studio pottery collections, exhibition inquiries, curated workshops, and design consultancy.

Studio Location
Dhaka, Bangladesh
Official Website
www.marufachowdhury.com

Commission Inquiry Form

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